The Perfect Neighbor Analysis: Unpacking a Infamous Incident Through the Lens of a Florida Cop's Body Camera

The real-life crime genre has a new medium, or perhaps even a whole new language and grammar: officer-worn camera recordings. Countenances of those harmed, observers and possible perpetrators loom up to the cameras, at times in the harsh glare of headlights or flashlights as the officers approach, their expressions and tones expressing caution or fear or indignation or suspiciously contrived innocence. And we frequently catch sight of the faces of the law enforcement personnel, one waiting impassively while the other asks the questions with what occasionally seems like remarkable hesitation – though perhaps this is because they are aware they are being recorded.

An Emerging Pattern in Documentary Filmmaking

We have previously seen the Netflix true-crime documentary American Murder: Gabby Petito, about the killing of an social media personality by her partner, whose primary focus was officer recordings and in which, as in this film, the law enforcement seemed surprisingly lenient with the suspect. There is also the acclaimed short film Incident by Bill Morrison, composed entirely of officer footage. Now comes Geeta Gandbhir’s documentary about the tragic incident of Ajike Owens in a city in Florida, a African American woman whose children allegedly harassed and tormented her neighbor, a local resident. In 2023, after an escalating series of neighborhood conflicts in which the police were repeatedly called, the accused fatally shot Owens through her locked door, when Owens went to Lorincz’s house to address her about throwing objects at her children.

The Police Inquiry and State Laws

The investigating authorities found evidence that Lorincz had done online research into the state's self-defense statutes, which permit householders and others to shoot if there is a significant presumption of danger. The movie constructs its narrative with the body cam footage generated during the repeated police visits to the location before the killing, and then at the horrific and chaotic incident site itself – introduced by emergency call recordings of Lorincz contacting authorities in a melodramatically shaky voice. There is also police cell footage of the individual which has a chilly, queasy fascination.

Portrayal of the Accused

The film does not really suggest anything too complex about the neighbor, or any mitigating factors. She is obviously disturbed, although the children are heard calling her a derogatory term, an hurtful taunt. The film is presented as an illustration of how self-defense regulations generate unnecessary and heartbreaking bloodshed. But the fact of firearm possession and the second amendment (that historic American constitutional privilege that a late commentator notoriously said made firearm fatalities a price worth paying) is not much highlighted.

Officer Questioning and Gun Culture

It is possible to watch the police interrogation scenes here and feel surprised at how little interest the police took in this point. When did she buy her gun? Did she receive any instruction on handling it? Was this the first time she discharged the weapon? How was the gun kept in her home? Was it just on the couch, loaded and ready? The authorities aren’t shown asking any of these undoubtedly important questions (though they could have inquired in recordings that were not included). Or is possessing a firearm so commonplace it would be like asking about microwaves or toasters?

Arrest and Aftermath

For what appeared to her neighbors a extended period, the suspect was not even taken into custody and indicted, only detained and even offered a hotel stay away from home for the night (another parallel, by the way, with the a prior incident). And when she was ultimately officially taken into custody in the holding cell, there is an extraordinary sequence in which Lorincz simply declines to rise, refuses to put her wrists out for the handcuffs, not hostilely, but with the politely self-pitying air of someone whose psychological state means that she just can’t do it. Had the kid-gloves treatment up until that point led her to think that this could be effective?

Conclusion and Verdict

It didn’t; and the jury’s verdict is revealed in the end titles. A very sombre picture of American crime and punishment.

This Documentary is in cinemas from 10 October, and on Netflix from October 17.

Alisha Robbins
Alisha Robbins

An avid skier and travel writer with over a decade of experience exploring mountain resorts across Europe.